NTTR - No Time to Review

Eric Gales approaches A Tribute To LJK with evident respect and a deep personal connection to the legacy of Little Jimmy King. The album functions first as a document: a modern blues-rock guitarist paying homage to one of his formative influences. On that level, it succeeds. Gales’ tone is warm, articulate, and expressive, and he clearly understands the vocabulary of the Memphis blues lineage. His playing is fluid, technically assured, and consistently soulful. But as an album — as a cohesive, emotionally immersive experience — A Tribute To LJK never fully leaves the realm of performance. The record is built around solo-driven arrangements, bright guitar leads, and a clean, extroverted production aesthetic that foregrounds virtuosity over atmosphere. The energy is upfront and immediate, but rarely introspective. Songs are structured around familiar blues progressions, individual showcases, and concise bursts of expression rather than any sense of narrative arc. For a listener like ...

Quarantième: Live à Paris captures Dream Theater at their most masterful — a live set where technical precision meets raw concert energy, showcasing both their prog-metal heaviness and their softer, more melodic complexity. Each track bristles with instrumental virtuosity: blazing guitar passages, thunderous drums, intricate keyboard interplay, and soaring vocals delivered with focus and power. The live performance brings a certain immediacy and emotional weight to songs you may know from studio albums — you can hear the audience energy, the rhythm section’s tight cohesion, and subtle improvisational flourishes. For longtime fans the album feels like a triumphant reaffirmation — a reminder that Dream Theater still commands the stage with authority and stamina. For newcomers, it works as a powerful live gateway into the band’s complex, epic world. Genre : Progressive Metal Country : US Final Verdict: 67% (Good Album) Yearly Ranking: 170th / 819 Highlight : Octavarium (Live à Paris 20...

Hideous Aftermath grabs you by the throat and never lets go — from the first blast-beat salvo to the final guttural roar, Sanguisugabogg delivers pure, unfiltered extreme metal fury. Guitars are jagged, riffs pummel like heavy machinery; drums barrel ahead at breakneck speed, and vocals dig deep into guttural territory with a raw, uncompromising intensity. The production is abrasive yet clear enough to let the instrumental brutality and rhythmic complexity shine through. While the album doesn’t offer subtlety or mellow moments — this is a full-on assault — it succeeds at being exactly what it promises: a tempest of horror, rage, and blistering energy. For fans of death-metal at its most savage and boundary-pushing, this record hits hard and stays hard. Genre : Death Metal Country : US Final Verdict : 61% (Good Album) Yearly Ranking : 606th / 818 Highlight : Repulsive Demise Made me think of: Cerebral Bore Cattle Decapitation Dying Fetus #newalbum #newalbum2025 #albumrelease #newmusic ...

A Danger to Ourselves drifts through shadows and static, constructing uneasy atmospheres where silence and noise merge into something uncanny and deeply human. Dalt’s voice — where present — floats like a spectral memory over disjointed beats, electronic textures and somber drones, evoking both vulnerability and defiance. The album rarely offers resolution: instead it lingers in discomfort, forcing the listener to confront anxiety, isolation and existential weight. It’s minimal in build-up but maximal in emotional tension — a subtle, unsettling journey rather than a comfortable listen. For those drawn to daring, genre-defying electronic music that unsettles while it moves you, this is a quietly powerful statement. Genre : Art Pop Country : Colombia Final Verdict: 59% (Forgettable Album) Yearly Ranking: 709th / 817 Highlight : hasta el final Made me think of: Arca Oneohtrix Point Never Fennesz #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musi...

The Parlour by Picture Parlour drifts between melancholic introspection and brooding rock energy, wrapping moody guitar lines and haunting vocals around plaintive lyrics that explore loss and longing. The production is crisp yet intimate — enough space is given to let atmospheric touches breathe, while the tension of post-punk-tinged riffs maintains a steady undercurrent. On tracks where the band leans into melancholy, the album achieves a haunting beauty; when they raise the intensity, it feels urgent and alive. The balance between calm reflection and restless drive gives the record emotional depth and keeps the listener engaged throughout. For fans of atmospheric, emotionally rich rock that doesn’t shy away from darkness, The Parlour offers a compelling, immersive listening experience. Genre : Indie Rock Country : UK Final Verdict : 64% (Good Album) Yearly Ranking : 417th / 816 Highlight : $4 Fantasy Made me think of: Pixies Echo & The Bunnymen The Jesus and Mary Chain #newalbu...

Carving the Stone confronts modern life in Dublin with a razor-sharp mixture of anger, grief, and tenderness — turning personal pain into a broader commentary on class, housing crises, identity and belonging. Spoken-word verses ride over a shifting musical landscape that moves between rave-tinged electronic beats, post-punk guitars, and traditional-music inflections, reflecting the instability and contradictions of urban life in 2025. Songs like “No Scheme” and “Mirror” hit hard with frustration and despair, while others — particularly “Of The Sorrows” — land as elegies for a city and a culture under pressure. Despite the often bleak subject matter, the album closes with a fragile sense of hope — a refusal to be silenced, and a commitment to stay and fight. For anyone who believes music can be both protest and poetry, this is one of the most powerful albums of the year. Genre : Spoken Words Country : Ireland Final Verdict: 64% (Good Album) Yearly Ranking : 342th / 815 Highlight : The ...