Posts

Murkage Dave - Brut Thoughts (2026)

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What works here is Murkage Dave himself. His voice feels personal and observational — part diary, part social commentary. The writing has clarity and specificity, especially when he touches on masculinity, grief, and the strange psychological effects of living online. But musically the album rarely rises to meet the ideas. Most tracks stay in a conversational lane, circling the same mid-tempo energy without pushing toward a real peak. The arrangements feel supportive rather than transformative. So I’m left respecting the perspective more than feeling compelled by the music itself. It’s thoughtful and honest. But structurally, it never quite lifts. Pros Distinct narrative personality Dave’s diaristic spoken delivery gives the record a clear identity. Honest thematic focus Themes of masculinity, grief, and internet culture feel personal rather than performative. Intimate production tone The understated arrangements keep the album human and unpolished. Cons Escalation rarely materi...

Pat Metheny - Side-Eye III+ (2026)

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There’s no doubt about the craft here. Metheny still writes melodies that breathe naturally, and the ensemble colors give the record a polished, almost orchestral feel. But the tension rarely tightens enough to create real urgency. The improvisations unfold gracefully, yet they rarely feel like they’re pushing toward something irreversible. Instead of risk, the album leans into refinement. I admire the clarity and the musicianship. I just don’t feel the structural pressure building across the record. Elegant, thoughtful, and controlled — but a little too comfortable. Pros Strong melodic clarity Metheny’s guitar themes are immediately recognizable — lyrical lines that anchor the compositions. Rich ensemble palette Additional voices, percussion, and harmonic layers give the trio format a broader sonic dimension. Seamless blend of composition and improvisation The pieces flow naturally between written material and solo sections. Cons Limited emotional urgency The album favors warm...

Morrissey - Make-up is a Lie (2026)

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This feels like Morrissey leaning on instinct rather than urgency. The voice still carries authority — that dramatic melancholy is unmistakable — but the songs rarely rise to meet it. Too many tracks settle into the same midtempo lane. They move forward politely without ever tightening into a moment of real lift. The arrangements are tasteful, sometimes even elegant, yet they rarely challenge the emotional surface of the record. What remains is identity. You always know it’s Morrissey. But identity alone can’t carry the album past a certain point. It’s recognisable. It’s competent. It just feels slightly disengaged. Pros Instantly recognisable voice Morrissey’s phrasing and dramatic vocal tone still carry a clear artistic fingerprint. Occasional melodic elegance A few songs briefly capture the classic Morrissey sense of melancholic lift. Polished instrumental arrangements Touches of strings, acoustic textures, and retro instrumentation add atmosphere. Cons Midtempo flattening ...

Matador - Above, Below and So (2026)

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This record moves with deliberate weight. The riffs don’t rush in — they arrive gradually, almost tectonically, as the band layers atmosphere and tension before committing to heaviness. When the climaxes land, they’re satisfying rather than explosive. The band clearly understands the architecture of post-metal: patience, slow pressure, and eventual release. What holds it back slightly is the sense that those releases could hit harder. The riffs serve the atmosphere more than they dominate it. Sometimes that works beautifully; sometimes it leaves the structures feeling less memorable than they should be. Still, the album builds a convincing world. Dense, patient, and serious — a strong entry in the modern psych-doom lane without quite becoming overwhelming. Pros Effective long-range builds The band understands patience. Songs gradually accumulate tension before landing in heavy climaxes. Immersive atmosphere The psychedelic doom textures create a convincing sonic world that feels ...

Hela - A Reign To Conquer (2026)

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This is doom that leans into melancholy rather than pure weight. The guitars carry long melodic lines that feel reflective and expansive, and the vocals hover above them with a kind of luminous fragility. What works best is the balance between heaviness and melody. The songs stretch out, but they don’t drift. The themes return, the climaxes land, and the emotional tone stays consistent without becoming dull. It’s not a radical reinterpretation of melodic doom. The structures are familiar and the pacing rarely surprises. But the execution is confident enough that the formula feels convincing rather than tired. It’s immersive, emotionally grounded, and melodically strong. Not revolutionary — but a very solid statement within its lane. Pros Melodic doom atmosphere with real emotional pull The guitars carry strong melancholic themes that sustain the album’s emotional core. Distinct vocal identity Raquel Navarro’s voice adds a luminous contrast to the heavy instrumentation and elevate...

Shabaka - Of The Earth (2026)

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This feels more like a personal ritual than a traditional jazz record. The flute leads much of the atmosphere, floating over percussion loops and soft electronic textures. It’s clearly intentional — Shabaka is building a contemplative space rather than pushing for virtuoso fireworks. But the pieces often drift instead of evolving. Ideas appear, circle, and dissolve without transforming into something structurally decisive. The mood is strong, but the architecture underneath it stays loose. I respect the sincerity and the spiritual ambition. I just don’t feel the tension tightening across the album. It’s immersive. Just not structurally gripping. Pros Strong sonic identity The blend of flute, sax, percussion loops and electronics creates a clearly authored sound world that feels personal to Shabaka. Spiritual atmosphere The album sustains a ceremonial, meditative tone that can be immersive when you settle into it. Instrumental versatility Shabaka moves fluidly between flute and s...