Posts

Yunchan Lim - Bach: Goldberg Variations (Live at Carnegie Hall, New York, 2025) (2026)

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This is impressive — but I don’t find it fully convincing. Technically, there’s nothing to fault: articulation is clean, voicing is transparent, and the faster variations sparkle with control. But beyond the surface brilliance, I’m not always sure what the larger emotional argument is. The performance feels shaped by intelligence and ambition more than by inevitability. The live Carnegie Hall setting adds a certain aura, but it also amplifies the interpretive boldness — sometimes to the point where tempo choices feel demonstrative rather than organic. I admire the clarity and the courage, but the depth doesn’t always settle. When the Aria returns, I recognize the symmetry — I just don’t quite feel transformed by it. Pros Technical command – Counterpoint is lucid; fingerwork in rapid variations is exceptionally controlled. Interpretive courage – Willing to take risks with tempo and articulation rather than defaulting to reverence. Textural clarity – Inner voices remain aud...

Worm - Necropalace (2026)

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I like the ambition more than I love the execution. Necropalace clearly wants to be monumental — gothic, theatrical, layered with symphonic textures and doom weight — but for me it never quite crosses into truly commanding territory. The atmosphere is thick, the production is polished, and the riffs are competent, yet the album feels more curated than dangerous. I hear the references — ’90s symphonic black metal, blackened doom grandeur — and they’re done well, but I rarely feel surprised. There are moments where the scale clicks, especially when the tempo drops and the doom elements stretch out the tension. That’s where the band sounds most convincing. But across the full runtime, the impact plateaus. It’s immersive, yes — but not transformative. I respect it, I don’t fully surrender to it. Pros Strong atmosphere & aesthetic coherence – The gothic, necromantic tone is consistent and fully realized. Solid production clarity – Dense arrangements remain readable; nothing c...

Clive Nolan - The Mortal Light (2026)

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This is solid, composed, and clearly intentional prog — nothing accidental, nothing lazy. Nolan knows how to structure a concept and how to guide the listener through it. The keyboard-led arrangements are lush without becoming cluttered, and the melodic threads are easy to follow. I never feel lost in indulgence, which already puts it above a lot of neo-prog that confuses length with depth. That said, it rarely destabilizes me. The drama is measured rather than overwhelming, and the harmonic language stays comfortably inside established neo-prog territory. I admire the craftsmanship more than I’m moved by it. It’s a good record — thoughtful, cohesive, and melodic — but it doesn’t quite transcend its lineage. Pros Strong structural coherence — Clear narrative arc, motifs return logically, transitions feel composed rather than stitched together. Keyboard orchestration — Rich symphonic textures that carry atmosphere without excess density. Melodic accessibility — Memorable t...

Ásgeir - Julia (2026)

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Julia feels gentle to the point of blur. I can hear the craft — the careful acoustic framing, the breath in Ásgeir’s falsetto, the soft emotional sincerity — but very little here pushes beyond comfort. The songs unfold in similar tempos and tones, and while that creates cohesion, it also flattens momentum. I don’t dislike it; I just don’t feel compelled by it. It plays beautifully in the background, but rarely steps forward with enough melodic or structural weight to demand attention. It’s tasteful, restrained, and emotionally polite — maybe a little too polite. Pros Warm, organic production — Acoustic textures and minimal arrangements keep the sound intimate and clean. Vocal fragility — His falsetto remains distinctive and emotionally readable. Cohesive atmosphere — The album maintains a consistent mood without jarring shifts. Cons Low dynamic range — Few peaks or structural turns; songs often sit at the same intensity. Limited melodic punch — Pleasant lines, ...

Would-Be-Goods - Tears Before Bedtime (2026)

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I like the idea of this album more than the experience of it. The literate, vignette-driven songwriting is clearly intentional, and I respect the attempt to stretch indie pop into something more theatrical and character-based. But in practice, the record feels uneven. The arrangements are tasteful, sometimes charming, yet they rarely escalate into something emotionally gripping. I find myself admiring lines, moments, textures — but not feeling pulled through the album as a whole. It’s clever, occasionally whimsical, but it doesn’t quite land with the urgency or melodic inevitability I need to stay fully invested. Pros Lyrical intelligence – The writing is detailed and character-focused, avoiding generic indie-pop sentiment. Varied instrumentation – Cello, flute, and other touches add color beyond standard guitar-pop templates. Clear artistic identity – It doesn’t feel anonymous; there’s a defined aesthetic point of view. Cons Limited momentum – The album rarely bui...

Momoko Gill - Momoko (2026)

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There’s real intention behind Momoko , but it doesn’t fully crystallize. I can hear the ambition — jazz phrasing, electronic texturing, political scope, moments of choral scale — and I respect the reach. The problem is cohesion and impact. The album moves between groove, experimental abstraction, and soulful introspection without always convincing me that those shifts are part of a larger arc. The strongest moments land when rhythm drives the room — when the drums feel tactile and alive, and the production breathes. But too often the ideas feel sketched rather than fully engineered. It’s thoughtful, it’s textured, but it rarely locks into something inevitable. I leave appreciating the craft more than feeling compelled to return. Pros Rhythmic identity – The jazz-informed drumming gives the record a physical backbone; when it hits, it feels alive. Textural curiosity – Electronic layers and production details add depth beyond straightforward jazz-soul. Ambition of scale – T...