NTTR - No Time to Review

“Better Days” marks a triumphant return for Yellowcard after their hiatus, reuniting their signature violin-driven pop-punk sound with renewed purpose. Produced by Travis Barker and featuring guests like Matt Skiba and Avril Lavigne, the production is sleek and polished, bringing modern punch while preserving the band’s youthful spirit.  Lyrically, the album reflects on growth, reunion, memory and the passage of time — themes appropriate for a band revisiting their journey and forging ahead.  While some fans feel the production is heavier and more compressed than earlier records, many praise the strong songwriting and the way the band revisit their roots without feeling solely nostalgic.  Overall, “Better Days” successfully balances nostalgia and progression — it may not eclipse their early landmark records, but it stands as a meaningful and satisfying comeback. Genre : Alternative Rock Country : US Final Verdict: 61% (Good Album) Yearly Ranking : 543th / 738 Highligh...

There’s Always More That I Could Say finds Sigrid embracing both vulnerability and empowerment, channeling heartbreak and self-discovery into bright pop hooks. Recorded in a studio by the harbour in Bergen and crafted with a sense of creative freedom, the album avoids chasing trends and instead opts for honesty and melodic clarity.  Tracks like the cathartic “Fort Knox” pair euphoric synth-bass and defiant lyrics, while lighter moments such as “Jellyfish” evoke carefree summer moods.  Though not every moment soars, the consistent production, confident vocals and emotional resonance mark a clear evolution for the artist. In sum, it’s a strong pop album from Sigrid: entertaining, personal and polished, offering both immediacy and depth. Genre : Synthpop Country : Norway Final Verdict: 61% (Good Album) Yearly Ranking : 575th / 737 Highlight : Fort Knox Made me think of: Carly Rae Jepsen Robyn Tove Lo #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinnin...

“The Shieling” finds Fergus McCreadie and his trio venturing into a more expansive, contemplative soundscape, recording in a remote cottage on North Uist to harness the island’s stillness and elemental character.  The music blends his jazz-trio core (piano, double bass, drums) with evocative folk-inspired melodies, drones and textures that evoke Scottish landscapes and traditions.  The recording process—intimate, live in one room, minimal production polish—gives the album an immediacy and organic warmth, making each note feel present and grounded.  Though the pace is often gentle and reflective, the trio demonstrate their fluency in both lyrical melody and dynamic improvisation, particularly when pieces build from quiet beginnings to more animated journeys.  Ultimately, The Shieling marks a subtle but meaningful evolution in McCreadie’s work: still rooted in folk-jazz fusion, yet now deeper, richer and more meditative—a rewarding listen for those willing to lean into...

“Returning to Myself” finds Brandi Carlile looking inward with graceful maturity, navigating identity, relationships and the passage of time in deeply personal fashion. The instrumentation stays rooted in her folk-rock/Americana foundation yet benefits from lush, intimate production that foregrounds her voice and emotional resonance. Lyrically the album balances quiet contemplation with broader universal themes—on tracks like “Joni” she pays homage to musical forebears, while on “You Without Me” she explores connection and loss. The work doesn’t aim for bombast so much as honesty: the quieter moments feel as powerful as the anthemic ones, reflecting Carlile’s evolution as both artist and storyteller. Overall, it’s a compelling chapter in her catalogue—warm, reflective and rooted in craft—with enough nuance to reward repeat listens. Genre : Singer Songwriter Country : US Final Verdict: 66% (Good Album) Yearly Ranking : 209th / 735 Highlight : Human Made me think of: Alison Krauss Gi...

“Seether Workout, Vol. 2” appears to function as a curated set of the band’s heavier, higher-energy tracks aimed at workout or high-intensity contexts — its very title suggests a “hard-rock gym” mindset. The collection brings together Seether’s signature blend of aggressive riffs, melodic hooks, angst-driven vocals and a visceral post-grunge sound that suits repeated play in motion. While it may not venture into daring new creative territory, its strength lies in consistency and reliability: solid performances, memorable choruses and a maintained sonic identity. Listeners seeking deeper innovation or surprising shifts might find this one somewhat safe; however, for fans wanting an adrenaline-fuelled recap of Seether’s strengths, it delivers exactly that. In sum, it’s less a statement of evolution, more a refined toolkit for the band’s core sound — potent, familiar and fit for purpose. Genre : Alternative Metal Country : South Africa Final Verdict: 65% (Good Album) Yearly Ranking: 265...

“Terra Nullius” is a haunting and ambitious work that uses the language of orchestral post-rock to confront Australia’s colonial legacy and the ongoing disconnection from land and traditional custodianship. The sound is expansive and immersive — waves of strings, guitars, ambient field recordings and cinematic build-ups evoke both the vastness of country and the weight of history. Thematically the album strikes a blend of sorrow, anger and longing, embedding archival recordings and documentary textures to deepen its emotional impact. While rooted in activism and story, the music retains a meditative beauty: it doesn’t simply rail against injustice but invites reflection, encourages reconnection and opens space for hope. In sum, Terra Nullius stands as a powerful artistic statement — gripping in its execution and vital in its message, though its scale and mood-shifts may challenge listeners expecting more conventional song-structures. Genre : Post Rock Country : Australia Final Verd...

“Creature In The Black Night” sees Dayseeker lean into darker territory both thematically and sonically — addiction, internal demons and transformation become the central motifs. Musically the album blends sharp guitar riffs, punchy drums and heavier screams with sweeping synthwave atmospheres and haunting melodies, producing a moody yet powerful hybrid. Frontman Rory Rodriguez’s vocals range from falsetto and clean singing to impassioned screams, effectively navigating emotional peaks and raw vulnerability. The horror-inspired aesthetic (grim reaper imagery, shadowy textures) gives the record a cohesive visual and sonic identity, making it feel like a concept album without being strictly one. Overall, it’s a bold evolution for the band: not the safest next step but one that feels honest, earned and capable of resonating for listeners craving depth as well as intensity. Genre : Alternative Metal Country : US Final Verdict: 66% (Good Album) Yearly Ranking : 169th / 732 Highlight : ...

“World Maker” marks Psychonaut’s most refined offering to date, merging primal riffs with psychedelic expansiveness and post-metal grandeur. Underpinned by themes of loss, hope and new life, the album carries an emotional weight brought on by personal tragedy and renewal for the band. The compositions move organically between quiet introspection and sweeping, heavy passages — the contrast allowing moments of both reflection and catharsis. Instrumentation is intricate: the drums deliver punch and precision, guitars oscillate between delicate ambient passages and crushing grooves, and the mixing gives space for both heaviness and air. In sum, this is a mature, ambitious record — one that may require patience on first listen but rewards with immersive depth and evolving textures. Genre : Post Metal Country : Belgium Final Verdict: 65% (Good Album) Yearly Ranking : 215th / 731 Highlight : ...Everything Else Is Just The Weather Made me think of: Amenra The Ocean Swallow the Sun #newalb...

“The Silver Sea” envelops the listener in majestic, haunting atmosphere — deep riffs, ethereal vocals and layers of synths and guitar craft that feel both vast and intimate. Heike Langhans’s voice floats over heavy, slow-moving structures, creating a tension between fragility and weight that defines the album’s emotional pull. Tracks such as “Algol” and “House of Suns” navigate between gothic gloom, cosmic imagery and melodic introspection, showing the band’s ambition to transcend genre tropes. Some reviewers note that this album leans into lush production and dense layering — at times the compositions could feel oversaturated or overwhelming in their scope. Overall, it stands as a bold, memorable statement in the atmospheric doom spectrum: compelling, immersive and richly textured, though not flawless in execution. Genre : Doom Metal Country : New Zealand Final Verdict: 65% (Good Album) Yearly Ranking: 214th / 730 Highlight : Vanta Ray Made me think of: Anathema My Dying Bride Pa...

“The Boy Who Played the Harp” finds Dave stepping into a more contemplative, spiritual and emotionally raw space than ever before. The production is restrained—soft piano, harp samples, subtle beats—letting his lyricism and introspection take centre stage.  Lyrically, he wrestles with fame, responsibility, identity, faith and the burdens of his success rather than flaunting it.  While some critics note the album’s musical pacing is uneven or sparse, most praise its ambition and the depth of its storytelling.  In sum, this album cements Dave’s reputation not just as a rapper, but as a significant voice in UK music—maturing, reflective and unafraid to slow down and probe what lies underneath. Genre : UK Hip hop Country : UK Final Verdict : 65% (Good Album) Yearly Ranking : 282th / 729 Highlight : My 27th Birthday Made me think of: Stormzy J Hus Kano #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #UKHiphop #Dave #U...

“Femme Fatale” represents a daring reinvention from Mon Laferte, as she embraces a sultry, jazz-inflected sound and a theatrical aesthetic rooted in cabaret and vintage soul. The album explores themes of female power, sensuality and emotional vulnerability, transforming the ‘femme fatale’ archetype into a badge of independent worth rather than danger. Musically, the record opts for elegance over bombast: brass sections, piano jazz chords and moody strings evoke smoky night-clubs rather than stadium pop. Lyrically, Mon pulls from her life — heartbreak, longing, resilience — but filters it through voices of maturity and self-definition, rather than youthful anguish. Ultimately, Femme Fatale stands as a mature, cohesive statement: bold, polished and heartfelt, marking a new chapter in her artistic evolution. Genre : Latin Pop Country : Chile Final Verdict: 68% (Good Album) Yearly Ranking: 117th / 728 Highlight : Otra Noche de Llorar Made me think of: Natalia Lafourcade Silvana Estr...

Leprous’s live release An Evening of Atonement captures a career-spanning concert where they showcase both their technical mastery and emotional depth. The recording, taken from a show in Tilburg in early 2025, features two extensive sets that traverse early albums and their latest work, offering fans both nostalgia and forward momentum.  What stands out is how the band balances intensity and subtlety — heavy riffs and complex rhythms transition into haunting melodies and introspective passages with ease. The atmosphere, bolstered by striking production values, illustrates that Leprous no longer simply aim to impress—they aim to immerse. Ultimately, this live album acts as both a milestone and a showcase: a potent reminder that Leprous remain one of the most compelling voices in progressive metal. Genre : Progressive Rock Country : Norway Final Verdict: 71% (Very Good Album) Yearly Ranking: 56th / 727 Highlight : Alleviate (Live in Tilburg 2025) Made me think of: Haken Soen ...

“Seeking the Absolute” finds Nine Treasures confidently merging the grit of alt-metal with the haunting textures of Mongolian folk instrumentation. Their morin khuur (horse-head fiddle), balalaika and throat-singing elements weave seamlessly into heavy riffs, driving drums and dynamic song structures. The album shuns formulaic verse-chorus metal in favour of atmospheric builds, hypnotic grooves and bursts of head-banging energy. While the band leans into clear metal archetypes (with echoes of Tool and melodic death) the cultural edge and instrumental detail lift the work into unique terrain. Overall, this is a compelling rebirth for the band — potent, richly layered and ready for broader recognition. Genre : Mongolian folk-metal Country : China Final Verdict: 63% (Good Album) Yearly Ranking: 418th / 726 Highlight : Real Dream Made me think of: The Hu Tengger Cavalry Orphaned Land #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #M...

“Vendrán Suaves Lluvias” is a gentle yet potent expression of grief, love and renewal, as Silvana Estrada navigates heartbreak, loss and the persistence of hope. Her voice and cuatro-playing are placed in spacious arrangements where strings, clarinets and woodwinds circle around intimate, poetic vocals. The album moves between hushed confessionals and moments of quiet defiance, full of images of nature, rain, wind and the body of memory. Rather than retreating into sorrow, she allows anger and resilience to coexist: love becomes both wound and healing, tears and soft rain. Ultimately it feels like an act of survival and tender reclamation—“soft rains will come,” she seems to say, and in their arrival there is both reckoning and calm. Genre : Singer Songwriter Country : Mexico Final Verdict: 67% (Good Album) Yearly Ranking : 160th / 725 Highlight : Como Un Pájaro Made me think of: Natalia Lafourcade Julia Holter Agnes Obel #newalbum #newalbum2025 #albumrelease #newmusic #albumofthe...

Through the Wall is a confident late-night dance record where Rochelle Jordan refines her sound rather than reinvents it. It seamlessly blends club-house rhythms, UK garage bounce and smooth R&B vocals into a cohesive whole. Instead of explosive drops, the album emphasizes restraint — the tempo glides, the hooks are velvet-soft and the mood is intimate and moody. Lyrically it touches on perseverance, empowerment and self-possession, but always through the prism of movement and groove. Ultimately, the album positions Jordan as a subtle but potent presence in the crossover space between dance‐floor and emotional depth. Genre : Alternative R&B Country : Canada/UK Final Verdict : 66% (Good Album) Yearly Ranking: 210th / 724 Highlight : Sum Made me think of: Jessie Ware Amber Mark Victoria Monét #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #AlternativeR&B #RochelleJordan #Canada/UK #LP #Album #release  

“Bin Juice” delivers a joyous overflow from The Lovely Eggs’ two-decade creative backlog — outtakes, B-sides and demos released as a celebratory sketchbook rather than a conventional album. Raw riffs, fuzzed-out guitars and lo-fi charm dominate, yet beneath the scrappy exterior you sense the duo’s sharp wit and emotional core. Tracks like “The Grind” and “(You’ve Been a) Shit to Me” showcase both defiant punk energy and personal reflection, shifting the mood effortlessly between anger, absurdity and warmth. While the material is consciously unpolished and uneven in places, that very roughness becomes part of its appeal — authenticity over perfection. In all, Bin Juice feels like rummaging through the band’s creative bins and discovering hidden gems: not flawless, but gloriously alive and full of character. Genre : Garage Rock Country : UK Final Verdict: 63% (Good Album) Yearly Ranking: 391th / 723 Highlight : My Dad Made me think of: The Cramps Idles The Slits #newalbum #newalbum...

“Tuesday Paper Club” crackles with raw energy as Brògeal channel a spirited folk-punk storm: banjo and accordion volley against driving drums and gritty guitar. The lyrics bite with a youthful disdain — a rallying cry against condescension and nostalgia-obsessed older generations. Despite its punk attitude, the song also wears its Celtic roots proudly, grounding its rebellion in place and tradition. Live, the track transforms into dance-chaos: crowd chanting, pogoing, accordion whirls and communal sing-along. Overall, it’s a blistering introduction-style single that signals Brògeal aren’t just replaying folk tropes — they’re reinventing them with attitude and heart. Genre : Indie Rock Country : UK Final Verdict : 64% (Good Album) Yearly Ranking : 366th / 722 Highlight : Draw The Line Made me think of: The Pogues The Dubliners The Proclaimers #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #IndieRock #Brògeal #UK #LP #Album #re...

“Deadbeat” marks a clear stylistic departure for Tame Impala, venturing deep into dance-floor beats and electronic textures rather than the lush psych-rock of prior albums. Critics praise the production ambition and the embrace of “bush doof” rave culture influences, yet many feel the songwriting lacks the emotional clarity and cohesion of earlier work. Some tracks shine as inventive dance experiments, but others are criticized as repetitive or under-developed, leaving a disconnect between mood and execution. The lyrical focus on self-doubt, fame, and domestic tension gives the album an introspective weight, though the energetic electronic backdrop somewhat muffles its impact. Ultimately, Deadbeat is bold and sonically rich, yet feels uneven—an intriguing shift, but not fully satisfying. Genre : Dance Pop Country : Australia Final Verdict : 61% (Good Album) Yearly Ranking: 524th / 721 Highlight : Dracula Made me think of: Caribou LCD Soundsystem Hot Chip #newalbum #newalbum2025 #albumr...

In CARRANCA , Urias unfolds a bold, introspective album that interweaves Brazilian cultural memory with cutting-edge production. Her sound traverses rap, R&B, jazz and electronic textures while rooted in Afro-Brazilian spirituality and resistance. She uses the metaphor of the “carranca” (a folkloric boat-figure meant to ward off evil) to confront themes of identity, freedom and historical erasure. The production is daring and richly layered, moving well beyond her earlier pop sensibilities into a more experimental, politically charged space. Ultimately, CARRANCA marks a mature evolution for Urias — a powerful statement of self-definition, ancestral connection and musical exploration. Genre : Alternative R&B Country : Brazil Final Verdict: 63% (Good Album) Yearly Ranking: 402th / 720 Highlight : Etiópia Made me think of: Karol Conká Luedji Luna Elza Soares #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #AlternativeR...

La Vida Era Más Corta is a remarkable leap for Milo J—one that refuses to stay in one lane and instead fuses trap’s immediacy with the deep textures of Argentine folk and the emotional weight of generational reflection. From the opening tracks like “Bajo De La Piel” (which invokes ancestral chants and unsung histories) to collaborations that bring in voices such as Soledad Pastorutti, Silvio Rodríguez and even Mercedes Sosa, the album blossoms into a cultural tapestry. Milo navigates themes of identity, legacy and time with an authenticity that belies his age, reframing his musical persona beyond “urban hopeful”. The production is varied—some tracks pulse with beat-driven urgency while others soften into bandoneón, echoing tango and rural rhythms—and the balance between experimentation and accessibility is impressive. Ultimately, La Vida Era Más Corta stands not only as a statement of self but as a generational manifesto: life may be short, yes—but the echoes we leave, the roots we h...

Deseo, Carne y Voluntad is a striking, deeply rooted work from Candelabro, where the band merges sweeping post-rock instrumentation with sharply observed liturgies of youth and Chilean existential unease. From the opening “Las Copas”, which samples Elvira Hernández and sets a tone of ritual and introspection, the album travels through dense soundscapes, sax and strings, guitar surges and whispered vocals. Tracks like “Pecado” confront social decay and personal guilt with urgency and instrumental contrast—moments of brittle quiet giving way to cathartic cascade. The band’s lyricism and musical ambition suggest both a reckoning and a reclamation: of faith, of desire, of identity in a world that asks you to perform. Ultimately, this album doesn’t just speak of a generation’s fragility—it embodies it, resiliently and defiantly. Genre : Post Rock Country : Chile Final Verdict: 69% (Good Album) Yearly Ranking : 86th / 718 Highlight : Angel Made me think of: Black Country, New Road Squid Th...

I Feel The Everblack Festering Within Me is a ferocious, ambitious statement from Lorna Shore that seems to push death-core toward grander, more cinematic horizons. From the thunderous opener “Prison of Flesh” to the epic closer “Forevermore”, the album builds a wall of orchestration, blast-beats, guttural vocals, and melody that rarely eases its foot off the throttle. The symphonic layers and harmonic leads (especially on tracks like “Oblivion” and “In Darkness”) add emotional weight and theatricality without diluting the aggression. Some reviewers argue its length and formulaic elements risk repetition, yet when the band hits their stride, the impact is undeniable. In sum, this album doesn’t just reaffirm Lorna Shore’s place in heavy music—it challenges the boundaries of the genre itself. Genre : Deathcore Country : US Final Verdict: 69% (Good Album) Yearly Ranking: 79th / 717 Highlight : Prison of Flesh Made me think of: Whitechapel Thy Art is Murder Fit For An Autopsy #newalbum #...

Mulatu Plays Mulatu stands as both a reflection and renewal of Mulatu Astatke’s singular vision: he revisits foundational Ethio-jazz compositions with fresh arrangements that both honour the original grooves and open new vistas. The hypnotic rhythms and pentatonic melodies that first defined his work are present, yet re-imagined with clarity and space—each track feels like a conversation between past and present. The instrumentation shines: vibraphone, saxophone, Ethiopian traditional instruments, and modern jazz arrangements merge with elegant precision. Though the record draws from familiar territory, it never feels retread—the reworkings invite deeper listening and reveal subtle variations in rhythm, tone and mood. Ultimately, the album is a triumph: an artist looking back without being beholden, offering a mature, graceful statement that affirms his legacy while still sounding vibrant and alive. Genre : Ethio-jazz Country : Ethiopia Final Verdict : 70% (Very Good Album) Yearly Ran...

THE BPM vibrates with urgency, ambition and technologic flair—Sudan Archives merges club-ready pulse with introspective songwriting and her signature violin flourishes. Opener “Dead” sets the scene: strained vocals, swirling strings, then full four-on-the-floor beat, hinting at the album’s duality of release and reckoning. Throughout tracks like “My Type” and “Yea Yea Yea” she experiments with rap-pop hooks and dance-machine aesthetics, while “A Bug’s Life” and “Touch Me” reveal deeper emotional fissures beneath the surface energy. The production leans rawer and more direct than previous works, less glossy but more pointed—a deliberate move toward texture over perfection. In all, THE BPM doesn’t just ask you to move—it asks you to feel moving, to confront what your body knows when your mind tries to keep up. Genre : Dance Pop Country : US Final Verdict: 65% (Good Album) Yearly Ranking: 266th / 715 Highlight : My type Made me think of: FKA twigs Arca SOPHIE #newalbum #newalbum2025 #...

God Save the Gun is a raw and urgent record that captures a band on the brink—equal parts adrenaline and introspection, with every riff and lyric charged. From the opening “B A D I D E A,” where Shelton admits “I’ve been slipping up,” the album sets a tone of self-reckoning and personal collapse, as much as rebellion. The songs carry a hardcore backbone—thunderous drums, distorted guitars, pulsing bass—but also a melodic sheen that makes the underlying pain and vulnerability all the more palpable. Tracks such as “God Owes Me Money” and the titular “God Save the Gun” drive home the stakes: a cycle of hurt, recognition of the self within it, and a desire for something better. In short, this is militarie gun stripped of facades—loud, unpolished, emotionally exposed—and it works because they’re willing to lay it all bare. Genre : Post Hardcore Country : US Final Verdict : 61% (Good Album) Yearly Ranking: 514th / 714 Highlight : I Won’t Murder Your Friend Made me think of: Turnstile Drug ...

EURÊKA! is a vivid and immersive debut that captures the feeling of a pivotal summer—both as memory and as creative rebirth. From the opening “well.. summer is over”, the mood unfolds like a film: waves, dunes, sunset skies, and the euphoric freedom of nights spent in suspended time. In tracks such as “Next To You” and “Used To”, Garcia channels both warmth and wistfulness: shimmering pads, driving beats, and vocal samples swirl into melodies that invite dance but also reflection. “Tokyo Mafia” introduces a more nocturnal edge—blurring house rhythms and late-night urgency—while “Other World” closes with contemplative sweep and emotional space. In sum, the album doesn’t just deliver dance-floor moments—it crafts an emotional arc, proving Garcia has both club instincts and storytellers’ heart. Genre : Progressive Electronic Country : France Final Verdict: 67% (Good Album) Yearly Ranking : 136th / 713 Highlight : Tokyo Mafia Made me think of: Nils Frahm Tycho Odesza #newalbum #newalbum2...

KINEMA marks a thoughtful new chapter for Kölsch, one that retains his club DNA yet embraces deeper emotional and narrative dimensions. The opening tracks like “Waste My Time” and “Nacht & Träume” draw you in with introspective atmosphere before the title track “KINEMA” unleashes full floor energy, demonstrating his capacity for both reflection and release. The middle of the album—especially tracks such as “Home” and “All That Matters” (with strings and reimagined form)—bridges the gap between memory and motion, softly contrasting intimacy with crescendo. Later moments like “Sad Makes Me Happy” show his willingness to collaborate and diversify, while closing track “Hands of Mine” brings things home with a gentle, confessional touch. Ultimately, KINEMA doesn’t just follow the beat—it interprets it, transforming dance-floor circuits into emotional arcs with clarity, heart and purpose. Genre : Techno Country : Denmark Final Verdict: 66% (Good Album) Yearly Ranking: 175th / 712 Hig...

From the Pyre is a luxuriantly ambitious sophomore album from The Last Dinner Party, where theatrical flair meets emotional burn. Across tracks like “Agnus Dei” and “This Is The Killer Speaking,” the band weave biblical metaphors and gothic flair into propulsive art-rock arrangements, marrying cement-hard basslines with choral layers and glimmering guitars. Their signature maximalism remains — but here it’s tempered with a more grounded urgency: songs about heartbreak, mortality and identity are dressed in silk and thunder. While the production occasionally leans into excess — the layers risk overshadowing melody — moments of restraint like “Hold Your Anger” provide impactful contrast and reveal deep songwriting beneath the gloss. In sum, From the Pyre doesn’t just repeat the spectacle of their debut — it refines it, deepens it, and stakes a claim: this band is more than hype, they’re shape-shifting storytellers with ambition and stagecraft in equal measure. Genre : Indie Rock Countr...

X-ÆON is a vivid and expansive journey through cosmic soundscapes—Giöbia harness the dreamlike textures of psychedelia, the weight of heavy riffing, and a restless sense of exploration all at once. From the opener “Voodoo Experience,” the band plunge into turbulent, swirling atmospheres where reverb-drenched guitars and hypnotic drums open portals to another dimension. Tracks like “Fractal Haze” and “The Death of the Crows” layer intensive heaviness with shimmering synthesizer washes, creating moments of collision and contemplation. The album’s second half, especially the multi-part suite “La Mort De La Terre,” stands out as a narrative arc—a merging of sci-fi apocalypse and meditative reflection, anchored by shifting moods and evolving themes. Ultimately, X-ÆON feels like both a destination and a launchpad—it honors Giöbia’s roots in space psych rock while daring to stretch into the vast unknown. Genre : Space Rock Country : Italy Final Verdict : 66% (Good Album) Yearly Ranking: 18...