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Showing posts from February, 2026

The Hirsch Effekt - Der Brauch (2026)

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I’m on board with the ambition more than the execution. Der Brauch is restless, clever, and clearly uninterested in genre comfort zones, but that constant motion also works against its impact. When it locks into a mood or a structural idea, it’s gripping — sharp dynamics, real tension, moments where the band sounds genuinely dangerous. Too often, though, it feels like the next idea arrives before the previous one has fully landed. I admire the refusal to simplify; I just don’t always feel the payoff matches the complexity. Pros High compositional ambition – Frequent shifts, odd structures, and risk-taking keep it intellectually engaging. Strong dynamic control – Quiet passages matter as much as heavy ones; contrast is a real tool here. Clear band identity – Even when it splinters stylistically, it never feels anonymous. Cons Fragmented flow – Abrupt transitions sometimes feel disruptive rather than dramatic. Inconsistent emotional landing – Not every experiment...

Hania Rani - Sentimental Value (2026)

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I don’t dislike this, but it never fully takes hold of me either. Sentimental Value is elegant, careful, and emotionally legible, yet it plays things very safe. The piano-and-strings language is refined, the recording is beautiful, and everything sits exactly where it should — maybe too exactly. As a soundtrack, it works; as a standalone album, it feels more like a well-crafted emotional cushion than a piece that challenges or surprises me. I appreciate the restraint, but I miss tension, friction, or a moment that really insists on being remembered. Pros Polished emotional clarity – The mood is consistent, gentle, and sincere; nothing feels clumsy or out of place. High production quality – Acoustic instruments sound warm and spacious, with real depth and air. Tasteful minimalism – Knows when to stop; no melodramatic excess or unnecessary gestures. Cons Low dramatic stakes – The music rarely escalates or earns a strong payoff. Too dependent on context – Feels de...

Lande Hekt - Lucky Now (2026)

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I don’t dislike this, but it never really grabs me either. Lucky Now is pleasant, well-made indie pop that knows exactly what it wants to do — jangly guitars, conversational vocals, soft optimism — and then stays there. The songs are tidy, the melodies are nice, and everything is delivered with an easy confidence, but I keep waiting for a moment that genuinely shifts the temperature. It’s comfortable music, and that comfort is both its strength and its ceiling. Pros Consistent songwriting – The melodies work, the structures are clean, and nothing feels half-finished. Warm, unfussy production – Jangle-pop textures are clear and natural, never overworked. Likeable vocal presence – Casual, human, and unforced; it suits the material well. Cons Low stakes – Emotionally and musically safe; rarely creates tension or surprise. Limited dynamic range – Too many tracks sit in the same tempo and mood zone. Familiarity overload – Feels heavily indebted to indie-pop trad...