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Showing posts from July, 2025

MF Tomlinson - Die To Wake Up From a Dream (2025)

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Die To Wake Up From a Dream is a rich, emotionally sweeping culmination of MF Tomlinson’s trilogy, blending folk, shoegaze, art-rock, prog, and chamber-pop into a cinematic, dream-like odyssey. He navigates themes of memory, hope, loss, and resilience with poetic clarity, transforming personal and collective anxieties into lush, evocative soundscapes. Songs like “Blink And You’ll Miss It” and the nine-minute title track fuse spectral flutes, brass, and expansive arrangements to evoke both peace and urgency. Collaborations—such as Florence Shaw’s vocals—contribute haunting, nightmarish textures that deepen the album's emotional range. Across its nine tracks, Die To Wake Up From a Dream balances introspective stillness with fabric-shifting crescendos, revealing Tomlinson at his most assured: imaginative, heartfelt, and profoundly resonant. Genre : Art Rock Country : Australia Final Verdict: 66% (Good Album) Yearly Ranking: 121th / 510 Highlight : Die to Wake Up From a Dream Made m...

Jim Legxacy - black british music (2025)

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Black British Music (2025) is Jim Legxacy’s XL Records debut and his boldest statement yet. It expands beyond his lo‑fi moodboard roots, weaving together emo guitar textures, grime bravado, Afrobeat rhythms, and punk‑pop urgency into concise yet expansive vignettes. His vocal range—from rap to tender falsetto—narrates stories of grief, identity, and displacement with poetic economy (“On the block, I was listening to Mitski”). Tracks like “Father”, “New David Bowie”, and “3x” exemplify his ability to blend intimate vulnerability with chaotic production. While some moments feel stylistically dense or derivative, the project remains a potent reflection of Black British identity and artistic lineage. At its best, it offers emotional catharsis through genre-agnostic experimentation—Legxacy asserts himself as a shapeshifting voice forging a new musical frontier. Genre : UK Hip hop Country : UK Final Verdict : 57% (Forgettable Album) Yearly Ranking: 472th / 509 Highlight : 3x Made me think ...

Alex G - Headlights (2025)

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Headlights marks a transformative leap for Alex G—his tenth album and first on a major label—showcasing a refined sound that blends delicate indie-pop with soft-rock warmth. The opener, “June Guitar,” twinkles with quirky organ lines and lo-fi charm, setting a tone of melodic introspection. Throughout the album, he navigates themes of fame, family, and financial choice with gentle honesty, particularly in “Beam Me Up” and “Real Thing.” Production combines intimate acoustic moments—pan flutes, mandolins, orchestral touches—with downtempo guitars, creating a rich, emotionally resonant soundscape. While it’s more polished than his earlier DIY works, the album maintains his trademark eccentricity and emotional authenticity. Headlights is Alex G at his most accessible yet retains the emotional depth that’s defined his journey. Genre : Indie Folk Country : US Final Verdict: 57% (Forgettable Album) Yearly Ranking: 487th / 508 Highlight : June Guitar Made me think of: Elliott Smith Bon Ive...

Fleesh - Versions VI (2025)

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Versions VI is the latest entry in Fleesh’s acclaimed series of reinterpretive albums, offering ten nuanced covers of rock classics. The mood is emotionally resonant, shifting from introspective passages to dramatic climaxes across tracks like “Epitaph” . Gabby Vessoni’s vocals take center stage, offering fresh emotional textures over Celo Oliveira’s lush instrumental backdrops. The production is polished yet retains organic warmth, helping each cover feel like a thoughtful tribute rather than a mere replication. Some listeners find the familiarity of beloved tunes both comforting and challenging—comforting in delivery but occasionally less surprising. As usual, Versions VI feels like Fleesh at their most refined: thoughtful, affectionate, and musically expressive. Genre : Progressive Rock Country : Brazil Final Verdict: 73% (Very Good Album) Yearly Ranking: 19th / 507 Highlight : Epitaph (added to my 2025 best of) Made me think of: Renaissance Mostly Autumn Agua de Annique #newalbu...

First Day Back - Forward (2025)

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Forward is a nostalgic yet fresh trip back to ’90s Midwest emo, driven by introspective lyricism and heartfelt melodies. It explores themes of memory, family trauma, and emotional fog with poetic clarity—nimble storytelling that unfolds through an emotional lens. The album’s instrumentation mixes raw post-hardcore riffs with tender violins and harmonica, giving each song both grit and intimacy. Vocal performances—especially from Maggie—oscillate between stirring shouts and moody, melodic tones, deeply enhancing the emotive pull of tracks like “Moving Out,” “Gone On,” “Lines,” and “Paint.” While it leans heavily on emo nostalgia and lacks explosive hooks, it succeeds in forging a sincere, immersive listening experience. Overall, Forward is a solid modern emo statement—earnest, melodic, and full of heart. Genre : Emo Country : US Final Verdict: 58% (Forgettable Album) Yearly Ranking : 468th / 506 Highlight : Upstairs (212) Made me think of: Cap’n Jazz The Get Up Kids The Hotelier #new...

Vylet Pony - Love & Ponystep (2025)

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Love & Ponystep is a maximalist, post-ironic journey through early-2010s rave culture—packed with dubstep growls, hyperpop energy, video game soundbites, and absurd humor. It layers high-concept narrative across its three-chapter structure, transforming internet-era kitsch into a surprisingly heartfelt mediation on self-love after a breakup. Tracks like “Walking Beside a Dragonfly” bring genuine emotional depth, even drawing tears amid the chaos. The production is elaborately textured—each long-form track evolves with cinematic flair—yet remains fun and chaotic. The album's self-aware embrace of meme culture, Call of Duty quotes, and Skrillex-style drops never undermines its sincerity; instead, it anchors a unique pop-art story. Overall, Love & Ponystep is Vylet Pony’s most ambitious and genre-defying statement yet—silly, grand, and deeply moving. Genre : Hyperpop Country : US Final Verdict: 73% (Very Good Album) Yearly Ranking: 17th / 505 Highlight : Comet Catcher and th...

TURQUOISEDEATH - Guardian (2025)

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Guardian represents a bold leap forward for TURQUOISEDEATH, marking their most ambitious and immersive release yet. The record spans long-form, cinematic tracks—each pushing drum & bass into new emotional and spatial territories. From ambient sirens on opener “Univa Transporter” to the jaw-dropping 30-minute finale “Close Your Eyes,” the album unfolds like a subterranean odyssey—full of shimmering textures and deep resonance. While some listeners noted the mixing is exceptionally clean—occasionally at the expense of raw impact—the overall immersion remains captivating. With standout cuts like “Voyager,” “The Looking Glass,” and “Guardian Surface,” the album earns high praise, with many calling it a genre-defining statement and their strongest work to date. Genre : Atmospheric Drum and Bass Country : UK Final Verdict: 64% (Good Album) Yearly Ranking: 186th / 504 Highlight : Guardian Surface Made me think of: Ibibio Sound Machine Parannoul Asian Glow #newalbum #newalbum2025 #albumr...

Cam - All Things Light (2025)

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All Things Light emerges as Cam’s most spiritually profound and introspective work yet, shaped by motherhood, isolation, and an existential dialogue sparked by her young daughter. Sonically, it blends her country roots with folk and ethereal pop textures, weaving in elements of Laurel Canyon influence and subtle experimentation. Standout tracks like “Turns Out That I Am God” and “Alchemy” reveal layered vocal arrangements, contemplative lyrics, and instrumentation that feels both intimate and expansive. Throughout the album, Cam balances themes of faith, grief, wonder, and resilience, offering emotional clarity like a guiding light amid darkness. With its honest songwriting and eclectic production, All Things Light affirms Cam’s evolution into a visionary artist whose work resonates deeply and beautifully. Genre : Country Pop Country : US Final Verdict: 57% (Forgettable Album) Yearly Ranking: 467th / 503 Highlight : Nevermine Made me think of: Kacey Musgraves Brandi Carlile Maggie ...

Africa Express - Africa Express Presents... Bahidorá (2025)

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Africa Express Presents… Bahidorá is a bold new chapter in the collective's journey, recorded live during the Bahidorá Festival in Mexico. Across 21 tracks, it fuses cumbia, reggaetón, rap, kuduro, salsa, and Afrobeat, creating a vibrant, spontaneous celebration of global sounds. Standouts include the emotive duet “Soledad” blending Mexican guitar with African bass, and “Kuduro,” where Fatoumata Diawara and Moonchild Sanelly trade verses in Bambara and Xhosa. Son Rompe Pera’s “Defiant Ones” adds punk energy, while the Mexican Institute of Sound and Los Pream deliver a spirited reinterpretation of The Smiths’ “Pánico.” Featuring over 30 artists, the album is praised as a "mind-blowing sonic journey"—a testament to improvisation, cultural unity, and Africa Express’s ongoing mission of cross-border musical collaboration. Genre : Global Fusion Country : UK Final Verdict: 63% (Good Album) Yearly Ranking: 267th / 502 Highlight : Defiant Ones (feat. Son Rompe Pera, M.anifest, ...

Ty Segall - Possession (2025)

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Possession finds Ty Segall embracing a more polished, back-to-basics sound: warm glam rock riffs, lush orchestration, and catchy power-pop melodies. The title track delivers a vintage-inspired rock epic, blending horns, strings, and garage-guitar swagger. Songs like “Shoplifter” and “Fantastic Tomb” return Segall to narrative songwriting, depicting morally complex characters over layered instrumentation. While some moments feel less raw than his lo-fi past, the album’s clarity and cohesion mark a creative high point. As Segall enters his 16th LP cycle, Possession balances exuberant storytelling with refined musical depth—his strongest, most assured statement in years. Genre : Glam Rock Country : US Final Verdict: 56% (Forgettable Album) Yearly Ranking: 488th / 501 Highlight : Skirts of Heaven Made me think of: Mikal Cronin Wand Grand Funk Railroad #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #GlamRock #TySegall #US #LP #Albu...

Jade Bird - Who Wants to Talk About Love? (2025)

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Who Wants to Talk About Love? is Jade Bird’s most vulnerable and introspective album yet, transforming her personal heartbreak and familial grief into candid folk-pop narratives. She channels reconciliation and self-awareness across eleven tracks, unpacking failed engagements and generational patterns of love and loss. Songs like “Stick Around” and “Nobody” showcase her dynamic vocal range, weaving assertive country-tinged guitars with catchy, melodic hooks. Produced by a lineup including Greg Kurstin and Andrew Wells, the album balances polished pop sensibilities with intimate, acoustic depth, yielding emotionally rich yet energetic compositions. It’s a raw, self-reflective journey from pain to acceptance—honest, cathartic, and deeply resonant. Genre : Folk Rock Country : UK Final Verdict : 60% (Good Album) Yearly Ranking: 402th / 500 Highlight : Who Wants Made me think of: Kacey Musgraves Brandi Carlile Soccer Mommy #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #no...

Steve Hackett - The Lamb Stands Up Live At The Royal Albert Hall (2025)

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Steve Hackett’s The Lamb Stands Up Live At The Royal Albert Hall is a meticulously executed celebration marking 50 years of The Lamb Lies Down On Broadway . The performance presents a complete live rendition, imbued with vibrant energy and audience connection in the iconic Royal Albert Hall, while guest musicians like Ray Wilson and Steve Rothery elevate classic passages. The setlist interweaves Genesis staples with Hackett’s solo material, offering balance between nostalgia and renewed interpretation. Production—mixed by Chris Lord‑Alge and mastered by Ted Jensen—achieves clarity without sacrificing live warmth, though some moments feel slightly over-extended in their execution. For fans old and new, it stands as a crowning achievement in the Genesis Revisited series and a compelling document of Hackett’s enduring artistry. Genre : Progressive Rock Country : UK Final Verdict: 69% (Good Album) Yearly Ranking: 55th / 499 Highlight : The Lamb Lies Down on Broadway (Live in London 202...

Marisa And The Moths - LIVE (In The Studio) (2025)

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Live In Studio 3, Abbey Road captures Marisa And The Moths in a raw, immersive performance, full of emotional immediacy. Recorded in one take in Studio 3, the album retains studio chatter and warmth, enhancing its authenticity. Marisa Rodriguez shines with commanding vocals, shifting seamlessly from intimate whispers to grunge-fueled belts. The band—tight rhythm section and sharp guitars—honors the energy of their originals while unveiling new emotional depth. The result is a live-rock document of resiliency and catharsis, elevated by Abbey Road’s legendary acoustics and a heartfelt dedication to a late friend. Genre : Alternative Rock Country : UK Final Verdict: 66% (Good Album) Yearly Ranking : 104th / 498 Highlight : Who Are You Waiting For (Live) Made me think of: Evanescence Halestorm Amy Lee #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #AlternativeRock #MarisaAndTheMoths #UK #LP #Album #release  

Toria Wooff - Toria Wooff (2025)

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Toria Wooff’s self-titled debut is a haunting, assured collection drenched in melancholy and gothic storytelling. Her powerful, ethereal voice weaves through vividly painted folk narratives—from ghostly laments to elegiac ballads of loss and longing. Instrumentation—pedal steel, cello, organ, gentle strings—cultivates a misty Americana atmosphere that alternates between brooding tension and quiet hope. The strength of her songwriting shines, especially on standout tracks like “Lefty’s Motel Room,” “The Waltz of Winter Hey,” and “Estuaries,” where emotional depth and narrative cohesion resonate profoundly. Toria Wooff feels like the beginning of a compelling musical journey: intimate, evocative, and rich with promise. Genre : Folk Rock Country : UK Final Verdict: 70% (Very Good Album) Yearly Ranking : 41th / 497 Highlight : The Plough (added to my 2025 best of) Made me think of: Katie J. Pearson This Is The Kit Joni Mitchell #newalbum #newalbum2025 #albumrelease #newmusic #albumofthed...

Royale Lynn - BLACK MAGIC (2025)

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Black Magic introduces Royale Lynn as a magnetic new voice fusing alt-metal punch with country-rooted melodicism. Its 12 tracks, inspired by mental-health struggles and lore like Pandora’s Box, channel emotional intensity into accessible, hook-driven compositions. Highlights like “E.V.I.L.” and the title track seamlessly marry atmospheric piano build-ups with crushing riffs. While the album occasionally leans into a single sonic pattern—mid-album tracks like “Dragon” or “Inside Out” can feel formulaic—Lynn’s commanding delivery and lyrical candor maintain momentum. Collaborations such as “Death Wish” with Danny Worsnop add texture, and though the overall sound is bold and consistent, a few tracks could use more variation. Overall, it’s an impressive debut: vast in emotional reach and potent in its raw combination of power and vulnerability. Genre : Alternative Metal Country : Canada Final Verdict : 66% (Good Album) Yearly Ranking : 122th / 496 Highlight : DEATH WISH Made me think of: ...

Calva Louise - Edge of the Abyss (2025)

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Edge of the Abyss delivers a cinematic, boundary-shattering sonic journey. It fuses metalcore intensity with electropop glitz, punk urgency, and Latin flair—frequently jumping between English and Spanish—with unpredictable yet cohesive results. Highlights like “W.T.F”, “Aimless”, and Spanish-powered “Lo Que Vale” are visceral and refreshing, while the climactic “Under The Skin” blends orchestral synths with thunderous riffs, offering a stunning finale. Though its rapid genre shifts may feel disorienting, that daring eclecticism defines its bold identity. The album cements Calva Louise as one of the UK’s most adventurous and compelling bands—unyielding, inventive, and unbound. Genre : Alternative Metal Country : UK Final Verdict: 67% (Good Album) Yearly Ranking: 83th / 495 Highlight : Lo Que Vale Made me think of: Knocked Loose Nova Twins Beartooth #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #AlternativeMetal #CalvaLouise #U...

Amy Macdonald - Is This What You've Been Waiting For? (2025)

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Is This What You’ve Been Waiting For? represents Amy Macdonald’s most introspective and purposeful album yet. She balances her signature acoustic guitar foundations with soaring choruses built for arenas, but there’s a rawer emotional edge here—songs about liberation, resilience, and self-realization. The title single hits like a punch of clarity, channeling defiance against expectations, while tracks like “We Survive” offer cinematic vulnerability and quiet strength. Her confident storytelling reveals a seasoned artist reflecting on industry pressures, toxic dynamics, and the exhilaration of live connection. The result is a refreshingly honest, warm-hearted record—comforting yet combative—that feels like the one fans have been waiting for. Genre : Pop Rock Country : UK Final Verdict: 65% (Good Album) Yearly Ranking: 179th / 494 Highlight : Can You Hear Me? (added to my 2025 best of) Made me think of: KT Tunstall The Corrs Florence + the Machine #newalbum #newalbum2025 #albumrelease...

Burna Boy - No Sign of Weakness (2025)

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No Sign of Weakness is Burna Boy’s bold, genre-blurring eighth studio album, showcasing his ambition to defy expectations and embrace versatility. He masterfully blends his lush Afrobeats roots with rock (“Empty Chairs” featuring Mick Jagger), hip-hop edge (“TaTaTa” with Travis Scott), and country-flavored introspection (“Change Your Mind” with Shaboozey). Across 16 tracks, themes of resilience, vulnerability, identity, and fame sculpt a deeply personal narrative that balances swagger with soul. Production is crisp and expansive, giving space for each collaborator while highlighting Burna’s unique voice and storytelling. Critically, it’s seen as a declaration of dominance—an artist unafraid to experiment, yet anchored by conviction and cultural pride. Genre : Afrobeats Country : Nigeria Final Verdict : 61% (Good Album) Yearly Ranking: 363th / 492 Highlight : Sweet Love Made me think of: Wizkid Davido Olamide #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning ...

Bring Me the Horizon - Lo-files (2025)

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Lo-files is Bring Me the Horizon’s most unexpected move yet—a 23-track lo-fi mixtape that reimagines their heavy anthems as ethereal, chill-out soundscapes. Tracks like “canyoufeelmy<3.tmpx” and “Throne.GOD” trade distortion for dreamy ambience and rain-on-glass beats, creating an album that’s soothing yet inventive. The project refashions pit-driven songs into late-night, study-ready reflections, making even the most aggressive originals feel gentle and contemplative. Fans describe it as nostalgic and strangely comforting—a calming counterpart to the band’s usual intensity. In short, Lo-files reveals BMTH’s versatility and willingness to reshape their catalogue into something peaceful and profoundly listenable. Genre : Lo-Fi Country : UK Final Verdict: 65% (Good Album) Yearly Ranking : 137th / 492 Highlight : sL33pwalking.idl Made me think of: Air Washed Out Tycho #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #Lo-Fi #Brin...

Jason Boland & The Stragglers - The Last Kings of Babylon (2025)

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The Last Kings of Babylon marks the 11th album from Jason Boland & The Stragglers, and it might be their finest yet. Returning to the chemistry of early records, they enlisted veteran producer Lloyd Maines to evoke the warm rootsy sound of Pearl Snaps. Across ten tracks, Boland’s storytelling and the band's musicality shine—mandolins and pedal steel breathe life into honky-tonk tales, while gritty country-punk cuts like “Ain’t No Justice” deliver sharp sociopolitical insight. Songs such as “Irish Goodbye” and “Drive” highlight both lyrical maturity and instrumental prowess, with Boland’s weathered baritone bringing gravitas to every note. Critics praise the album’s emotional resonance and musical consistency, noting its blend of tradition and evolution: it's classic Red Dirt, but with fresh ambition. Ultimately, The Last Kings of Babylon is a confident, cohesive declaration of a band in full command—rooted in their heritage, yet ever growing. Genre : Americana Country...

Wet Leg - moisturizer (2025)

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moisturizer finds Wet Leg stretching beyond their debut’s sardonic charm into fiercer, tighter territory, embracing garage rock heft while keeping their witty bite. The album bursts with anthem-ready riffs and deadpan wit, as seen in opener “CPR” and the punchy single “Catch These Fists.” Balancing brash energy with emotional nuance, tracks like “Davina McCall” and “11:21” reveal newfound vulnerability amid the chaos. Production feels live and dynamic—slightly raw at times, but that immediacy adds character to the band’s evolving voice. Overall, moisturizer cements Wet Leg as a confident, maturing act—funny, fearless, and ready to dominate festivals and mosh pits alike. Genre : Indie Rock Country : UK Final Verdict: 62% (Good Album) Yearly Ranking: 337th / 490 Highlight : 11:21 Made me think of: The Breeders Pixies Wolf Alice #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #IndieRock #WetLeg #UK #LP #Album #release  

Poor Creature - All Smiles Tonight (2025)

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All Smiles Tonight is an ethereal debut that bridges ancient Irish folk and modern soundscapes, weaving crystalline vocals and haunting traditional melodies into downtempo, trip-hop inspired arrangements. The trio’s luminous harmonies glide over textured production—subtle drones, reverb-drenched percussion, and atmospheric synths—creating an immersive ambience that feels both timeless and fresh. Traditional songs like “Adieu Lovely Erin” and “Bury Me Not” are reimagined with cinematic scope and psychedelic depth, evoking sorrow and resilience with uncanny power. Critics hail its emotional grandeur, calling it a masterclass in balancing darkness and light while honoring cultural roots. With its gothic folk gravitas and contemporary production edge, All Smiles Tonight stands as one of the year’s most spellbinding and original debuts. Genre : Irish Folk Country : Ireland Final Verdict: 65% (Good Album) Yearly Ranking : 129th / 489 Highlight : Adieu Lovely Erin Made me think of: Lankum ...

Ólafur Arnalds & Talos - A Dawning (2025)

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A Dawning unfolds as a deeply poignant collaboration between Ólafur Arnalds and the late Talos, born from a shared residency and brought to life even after Talos's passing. The album spans eight tracks of hushed piano, ambient textures, and ethereal strings, weaving voice‑memo intimacy with cinematic resonance. Highlights like “Bedrock,” “For Steph,” and the final track featuring Ye Vagabonds channel both sorrow and solace, capturing grief without succumbing to melodrama. Critics praise its emotional authenticity, noting that Arnalds’ intuitive arrangements allow Talos’s spirit to shine through with grace. Ultimately, A Dawning is both elegy and celebration—a heartbreaking yet hopeful testament to friendship, creativity, and resilience. Genre : Ambient Pop Country : Iceland/Ireland Final Verdict: 66% (Good Album) Yearly Ranking : 123th / 488 Highlight : Bedrock Made me think of: Nils Frahm Max Richter Brian Eno #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nows...

Shura - I Got Too Sad For My Friends (2025)

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I Got Too Sad For My Friends is a deeply introspective album crafted in the aftermath of pandemic-era isolation and personal upheaval. Shura channels melancholy through warm, lush production that marries swooning synth-pop with chamber-pop intimacy—woodwinds, organ, gentle percussion, and soft rock textures. Her lyrics dwell in the gloom of loneliness, but shards of humour and melodic brightness (“World’s Worst Girlfriend,” “Bad Kid”) bring a lightness that keeps the album from feeling overly somber. The record balances hushed vulnerability with delicate emotional lifts, offering a moving portrait of someone confronting sadness yet still reaching for connection. It’s Shura’s most personal and mature statement yet—brave, beautifully realized, and ultimately hopeful. Genre : Art Pop Country : UK Final Verdict: 58% (Forgettable Album) Yearly Ranking: 444th / 487 Highlight : Recognise Made me think of: Cassandra Jenkins Becca Mancari Clairo #newalbum #newalbum2025 #albumrelease #newmusic ...

Sherelle - With a Vengeance (2025)

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With A Vengeance bursts onto the scene as Sherelle’s electrifying debut LP, turning heartbreak and betrayal into relentless dancefloor kinetic energy. Crafted across London and Amsterdam, each of the ten tracks fires at around 160 bpm, blending footwork, jungle, acid techno, and rave into a high-speed, emotionally charged narrative. It swings between spine-tingling intensity and soulful respite, especially on “Freaky (Just My Type),” which features one of the album’s most accessible hooks. Sherelle’s deep understanding of dance-music history and rhythmic structure allows her to balance club-ready urgency with personal storytelling. The result is a powerful and unifying statement—equal parts catharsis and celebration—that affirms her as a vital force in electronic music today. Genre : Jungle Country : UK Final Verdict: 62% (Good Album) Yearly Ranking : 321th / 486 Highlight : FREAKY (JUST MY TYPE) Made me think of: DJ Flight Naina Kode9 #newalbum #newalbum2025 #albumrelease #newmusic #...

Bury Tomorrow - Will You Haunt Me, With That Same Patience (2025)

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Will You Haunt Me, With That Same Patience marks a striking, emotionally charged evolution for Bury Tomorrow, diving headfirst into themes of despair, resilience, and communal unity. The album’s production—overseen by Carl Bown—balances sweeping heaviness with clarity, lending fresh depth to both thunderous riffs and atmospheric passages. Tracks such as “Villain Arc” and “What If I Burn” deliver visceral catharsis through pounding rhythms and searing vocal interplay, while closer “Paradox” shifts into a Deftones-style ambient finale, offering a haunting, contemplative climax. Some critics note the mix feels flattened and occasionally overcompressed, with guitar tones lacking bite—though others argue the album is still gripping and far from genre fatigue. Overall, this feels like Bury Tomorrow’s most cohesive and ambitious record yet—a raw, revelatory statement that confronts inner turmoil while forging hope through shared struggle. Genre : Metalcore Country : UK Final Verdict: 65% (G...

Bagefter - Miracle (2025)

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Miracle unfolds as a deeply atmospheric post‑rock exploration, blending lush guitar textures, swelling crescendos, and ambient electronics. Crafted as a 15‑track journey, it captures intimate emotions—coming‑of‑age, heartbreak, betrayal—and elevates them into cinematic soundscapes. The album balances dynamic shifts between quiet reflection and overwhelming intensity, especially on standout tracks like “Miracle” and “Anything Better.” While some guitar tones feel overly dense, the emotional intent remains clear, inviting a transcendent listening experience. Overall, Miracle is a compelling evolution for Bagefter—a powerful, cathartic statement thriving in its immersion and authenticity. Genre : Post Rock Country : Russia Final Verdict: 64% (Good Album) Yearly Ranking : 211th / 484 Highlight : Driving Through Made me think of: Cult of Luna Russian Circles This Will Destroy You #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #Post...

Obongjayar - Paradise Now (2025)

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Paradise Now marks Obongjayar’s most ambitious and dynamic album yet—a restless, genre-blurring journey that balances intimate vulnerability with global club-ready energy. He navigates personal narratives of love, grief, and identity in the first suite of songs before erupting into bolder political declarations (“Jellyfish”) and entwined collaborations (“Talk Olympics” with Little Simz). His voice alternates between brooding baritone and agile high-register exclamations, gliding over Afro-dance rhythms, indie-pop melodies, and cinematic piano underscored by orchestral color. While a few later tracks veer toward mainstream polish, the album’s core remains provocative, urgent, and fiercely individualistic. It stands as an emotionally rich manifesto—empowering, evocative, and unmistakably Obongjayar. Genre : Alternative R&B Country : UK Final Verdict: 63% (Good Album) Yearly Ranking : 234th / 483 Highlight : Not in Surrender Made me think of: Moses Boyd Sault King Krule #newalbum #n...

Brother Ali - Satisfied Soul (2025)

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Satisfied Soul is Brother Ali’s return to form — introspective, spiritual, and rooted in soulful beats with razor-sharp lyricism. The Minneapolis rapper blends personal revelations, social consciousness, and gratitude, all wrapped in warm production that leans heavily on classic soul and boom-bap traditions. While not reinventing his wheel, the album resonates with maturity and calm conviction, a testament to his unwavering authenticity in a scene often driven by spectacle. Genre : Conscious Hiphop Country : US Final Verdict: 66% (Good Album) Yearly Ranking : 115th / 482 Highlight : Deep Cuts Made me think of: Talib Kweli Common Black Thought #newalbum #newalbum2025 #albumrelease #newmusic #albumoftheday #nowspinning #NowPlaying #musicdiscovery #ConsciousHiphop #BrotherAli #US #LP #Album #release