Alev Lenz - 4 in a Cycle of Thirds (2026)
I admire the concept more than I connect with the result. Structuring an album around a single-note framework per track is intellectually appealing, and on paper it promises cohesion. In practice, though, the restraint sometimes flattens the emotional contour. The songs feel carefully built rather than lived-in. There are moments of beauty — especially when the vocal phrasing softens the rigidity of the structure — but I rarely feel fully pulled into the world of the record. It’s thoughtful, but not gripping. I appreciate the craft; I just don’t feel compelled to stay.
Pros
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Clear compositional concept – The chromatic framework gives the album structural integrity and intent.
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Controlled, intimate production – Vocals and arrangements are precise and uncluttered.
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Cross-genre curiosity – Folk, chamber, and minimalism blend without sounding confused.
Cons
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Emotional distance – The formal design sometimes overrides spontaneity.
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Limited dynamic lift – Few true arrival moments; tension rarely resolves in a satisfying way.
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Low replay pull – Once the concept is absorbed, the songs don’t leave a strong melodic afterimage.
Genre: Art Pop
Country: UK
Final Verdict: 58% (Forgettable Album)
Yearly Ranking: 144th / 162
Highlight: Borrowed Time (on Eb)
Made me think of:
PJ Harvey
Julia Holter
Cate Le Bon
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